Monthly Archives: November 2015
A Handful of Dust: a talk by David Campany @ Waterstones
I did not make notes during this lecture and the following quote is from David Campany talking about a photograph of dust by Man Ray …
Wildlife Photographer of the Year 2015
I have seen this annual exhibition many times before and know what to expect. Predictable subject matter is perhaps one aspect of what prevents critical appraisal along with an often exaggerated sense of colour and an emphasis on technique. Nevertheless this is a wonderful exhibition and I sensed a change this year perhaps because I did not recognise so many names. To see it in an hour is doable but if one is to read the captions of each photograph, as usual these are backlit transparencies, and possibly work out how it was made by looking at the details of equipment used, means that more than one visit is necessary. Some images are available online.
Alec Soth @ Media Space
Decisive Moments @ Fine Art Society, London October 2015
This exhibition of Cartier-Bresson prints is held in New Bond Street at The Fine Art Society; it consists of original prints which presumably means either printed by or under the direction of Cartier-Bresson himself. They range in price from about £12,000 to £24,000. Although the exhibition was only scheduled to run for 3 weeks until the end of October, it is extended by popular demand so that the exhibition runs for over a month until the middle of November. A
number of portraits of artists have already sold such as the iconic one of Matisse sitting with birds around him and a couple of shots of Giacometti, one of them showing him crossing a street with his coat held up around his head as it is raining.
Images of Conviction @ The Photographer’s Gallery October 2015
This exhibition that is accompanied by a catalogue which has been shortlisted for an award in Paris, is being held at The Photographer’s Gallery in London (among other places). The relationship between photography and science has interested me of late; this exhibition is more concerned with forensics as well as the power of the photograph to tell the truth.
I arrive early before the crowds and while entry is still free. Reading the catalogue and watching a video in which the curator who is from Le Bal in Paris is quite a good introduction. This exhibition is as much about the unreliability of photographic evidence as the use of photographs in criminal cases and elsewhere as testaments to the truth of what happened. Photographs can tell a story but their ability to prove that story is circumstantial rather than authorative.